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Faith, flora and fabric: How a Senegalese village became a desert oasis

  • Local women process baobab fruit pulp into powder at a workshop that belongs to Baye fall community, in Ndem
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    Faith, flora and fabric: How a Senegalese village became a desert oasis

    Local women process baobab fruit pulp into powder at a workshop that belongs to Baye fall community, in Ndem
  • An aerial view shows a garden that belongs to the Baye Fall community, in Mbacke Kadjior
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    Faith, flora and fabric: How a Senegalese village became a desert oasis

    An aerial view shows a garden that belongs to the Baye Fall community, in Mbacke Kadjior
  • A woman from a Baye Fall community, stands beside a baobab tree waiting for transport in Ndem
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    Faith, flora and fabric: How a Senegalese village became a desert oasis

    A woman from a Baye Fall community, stands beside a baobab tree waiting for transport in Ndem
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  • Maam Samba Mbow, 22, from Baye Fall community, sits during an interview with journalists in Mbacke Kadjior
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    Faith, flora and fabric: How a Senegalese village became a desert oasis

    Maam Samba Mbow, 22, from Baye Fall community, sits during an interview with journalists in Mbacke Kadjior
  • Local women process baobab fruit pulp into powder at a workshop that belongs to Baye fall community, in Ndem
    5/5

    Faith, flora and fabric: How a Senegalese village became a desert oasis

    Local women process baobab fruit pulp into powder at a workshop that belongs to Baye fall community, in Ndem
Local women process baobab fruit pulp into powder at a workshop that belongs to Baye fall community, in Ndem
An aerial view shows a garden that belongs to the Baye Fall community, in Mbacke Kadjior
A woman from a Baye Fall community, stands beside a baobab tree waiting for transport in Ndem
Maam Samba Mbow, 22, from Baye Fall community, sits during an interview with journalists in Mbacke Kadjior
Local women process baobab fruit pulp into powder at a workshop that belongs to Baye fall community, in Ndem
Cooper Inveen
·2-min read

By Cooper Inveen

NDEM, Senegal (Reuters) - Beneath the scorching sun that beats down on Senegal's savannah, the verdant gardens of Ndem village are a sanctuary.

Within a hibiscus fence, rows of vegetables grow under fruit trees. Men with dreadlocked hair and women in technicolour robes dye fabrics and stitch handbags destined for luxury boutiques and furniture companies in Spain, Italy and the United States.

They are members of Baye Fall, a branch of Senegal's Muslim Mouride brotherhood who believe that labour is a form of prayer. In Ndem, they have created an oasis in a region long plagued by drought.

"We are pushed towards the love of sharing, of work, reflecting on the improvement of living conditions in our environment in harmony with nature," said 29-year-old Fallou Mbow, whose great-great-grandfather founded the village.

Mbow's parents and others founded the NGO Ndem Villagers in 1984 to manage myriad development projects. Since then, the group has grown to about 4,600 members who have renewed the landscape with the help of irrigation systems and solar power.

"It's only in Ndem that there are these kind of work opportunities," said Mame Diarra Wade, one of 120 women who process baobab fruit to a consumable powder.

"We are happy to see those from the surrounding villages come to work with us."

A plate made in Ndem can even be found in the White House, a gift from a visiting consultant to former President George W. Bush, one of the NGO's project managers said.

At the request of Mouride leaders, the Mbow family relocated in 2015 to nearby Mbacke Kadjior, the birthplace of the Baye Fall movement, to replicate their success. That village now boasts busy craft workshops and sprawling gardens too.

"One of the main objectives is to really slow down the rural exodus," said Maam Samba Mbow, Fallou Mbow's younger brother, "to create a dynamic local economy that is good for villagers, so they can have a happy life with interesting activities instead of leaving to find work in the big city."

(Reporting by Cooper Inveen; Editing by Nellie Peyton and Karishma Singh)