There are at least 67 reasons why we as a species are obsessed with Game of Thrones, HBO’s fantasy hit that has fans simultaneously dying for its eighth and final season and dreading the inevitably bloody coup de grâce. Beyond the titillating inter-house intrigue, shocking deaths, and stellar acting, the show is also renowned for its phenomenal music.
The series has rightfully helped turn its 44-year-old composer, Ramin Djawadi, into a star, so much so that the German-Iranian maestro is taking his show on the road for a second straight year with the rollicking orchestral “Game of Thrones Live Concert Experience” tour. He was also up for two Emmys this year, for scoring both Game of Thrones and Westworld, giving him six nominations total — and on Saturday Djawadi took home his first Emmy for GoT.
During a recent stop at Yahoo’s Los Angeles studios, Djawadi told us about the conception of three of GoT‘s most celebrated numbers: its iconic introduction; the Lannister theme, “The Rains of Castamere,” a haunting track that also became a key that something really horrible was about to happen; and “Light of the Seven,” the piano-driven theme to the shocking conclusion of Season 6. Watch the interview above, or read on for highlights:
“Game of Thrones Theme”
“I had seen the first two episodes and had actually already started working on them, so I had written already some of the other themes for the show. And then [series creators] David [Benioff] and Dan [D.B. Weiss] said, ‘Ramin, there’s also a really cool main title sequence that we would like you to take a look at, and we need a main title theme for this. … We had a conversation about it and talked about [how] it should really summarize the entire show: the mystery, the excitement, the adventure. The big keyword that they actually said to me was, ‘Make it feel like it’s a journey.’ … So that’s how I came up with that melody.”
“The Rains of Castamere”
“That particular piece actually is one of the few pieces I wrote without having any visuals or any episodes in front of me. This was between Season 1 and Season 2 when they were shooting. David and Dan called me up and said, ‘We need you to write a new theme, and it’s going to be based on lyrics [from] the book. So this melody needed to do all these things: work with the lyrics, and basically be a song, but have a tonality that can evoke the character of the Lannisters.”
“Light of the Seven”
“I wrote the piece on the piano. The piano had never been used before, there was no piano anywhere in the score; it was quite a departure. So we decided then to try it on different instruments. So I rearranged it for the harp, for example, and we listened to it that way. None of it felt right, and we listened to the piano version again, and we just then realized how fitting it actually is, and that it just has to be that. … The viewers immediately noticed, ‘This is different. This is something we’ve never heard before. What’s the piano doing?’”
Ramin Djawadi is currently touring North America with the “Game of Thrones Live Concert Experience.”
Watch him talk about embracing loud audiences on the tour:
Read more on Yahoo Entertainment:
- HBO debuts first look at final season of ‘Games of Thrones’
- ‘Game of Thrones’ Season 8 release date might be later than we thought
- Forget ‘Game of Thrones,’ Matt Groening reveals unlikely inspiration behind new animated fantasy series ‘Disenchantment’