Fujifilm has taken the wraps off the GFX100 II medium format camera, a successor to the original GFX100 launched back in 2019. It carries the same 102-megapixel resolution of the original model, but has a new sensor and processor that delivers faster shooting speeds, improved autofocus, full-sensor 4K (and even 8K) video and a lot more. At the same time, it's more like the GFX100S in terms of size and price.
Where the GFX100 was gigantic in size due to the built-in battery grip, the GFX100 II has separated those two things, so the camera body alone is considerably smaller (the grip is sold separately for $500). It has a new 9.44 million-dot electronic viewfinder (EVF), the highest in the industry, that's removable as before. That allows the use of an optional $569 tilt adapter that makes low-angle shooting easier. The rear touch display tilts up, down and a bit to the side, but doesn't flip out (sorry, rich vloggers).
With the latest X-Processor borrowed from the X-H2S and X-H2 cameras, the GFX100 II can shoot at 8fps (up from 5fps before), pretty darn fast for a medium format (43.8 x 32.9mm) sensor camera. It now comes with subject-detection autofocus with face/eye detection, and can also track animals, birds, vehicles and other fast-moving subjects like insects and drones — both for photos and video.
The body looks more like the X-H2/X-H2S than other X-series cameras, with just a single mode dial and a large LCD display on top. It offers 5-axis in-body stabilization with up to 8-stops of shake reduction. In terms of storage, it supports dual cards with one CFexpress Type B and one SD UHS-II slot — and you can also capture video to an external SSD via the USB-C port. Other features include headphone/mic ports, a full-sized HDMI port and an ethernet port. It even supports timecode jamming for video via the Atomos AirGlu BT.
If you want to shoot video with a nearly 70mm-sized frame, the GFX100 II can do that impressively well also. It supports 4K at up to 60p using the full width of the sensor, and even keeps rolling shutter to a reasonable level — likely via line skipping or pixel binning. There's even an 8K mode, albeit with a 1.53 times crop, that reads the sensor pixel-for-pixel with some upscaling. On top of 8K, UHD and 4K DCI modes, it can shoot anamorphic video at up to 4.8K.
It can record Apple ProRes vide in three formats (422 HQ, 422 and 422 LT), along with H.264 and ProRes 422 proxy files. The higher-quality codecs require CFexpress Type B or USB SSD capture.
Fujifilm clearly thinks that pros will use the GFX100 II for video, as it offers waveform and vectorscope overlays to help nail exposure. It has front and rear tally lamps, the ability to use fractional shutter speeds to avoid flicker and an optional fan accessory that allows for unlimited 4K/60p recording times. And as mentioned, it supports timecode sync and jamming, so it can work in a multi-camera shooting environment. On top of all that, it supports up to four channels of audio.
Along with the camera, Fujifilm introduced a new $2,300 55mm f/1.7R WR lens (44mm equivalent in full-frame terms), along with two tilt-shift 30mm and 110mm lenses for architectural an artistic shooting ($4,000 and $3,500 respectively). The GFX100 II launches in "early fall 2023 for $7,500, compared to $6,000 for the GFX100S and $10,000 for the GFX 100.